It could always be worse

Portrait of Émile Zola, 1868, by Édouard Manet

My friend Martha recently told me, “Taxes are the price you pay to live in a free society.” I’m doing my taxes this week and debating what I should post while I’m off in the land of spreadsheets and illegible receipts I never got around to entering.

I’ll start with some French realism today, to remind myself that things could always be worse. We could be struggling to heat our homes and our children could be executed for stealing crusts of bread. Officers could be convicted of heinous crimes simply because of their Jewishness.

Let’s start with Manet’s portrait of Émile Zola, who was France’s most important social realist writer. Zola was nominated for the first and second Nobel prizes in literature (which were won, characteristically, by nobody you ever heard of). He is remembered chiefly for his championing of the falsely-accused French artillery officer Alfred Dreyfus.

But that was still in the future when this painting was conceived. It was a thank-you gift for Zola’s passionate support of Manet’s work. The setting is Manet’s studio. On the wall is a reproduction of Manet's scandalous Olympia, tying this painting very clearly to Manet’s gratitude. Zola is seated at his work table. The book, inkwell, quill, books and papers tell us he is a man of letters.

Jean-François Millet’s The Gleaners, 1857. Note how the figures are dehumanized by their faces being obscured and how they are separated from the prosperity in the distance.

The French Barbizon painters championed realism as a painterly technique (in response to the accepted Romanticism of the time). But they were also social realists, taking an unflinching look at the vast poverty that endured in rural France.

Hunting Birds at Night, 1874, by Jean-François Millet.

Unfortunately, social realism can be tough to appreciate over time, because appalling poverty starts to look quaint when we are distant from it. This is the fate that has overtaken Jean-François Millet’s The Gleaners. In its day, it was an electric criticism of French society. The wealthy (who tend to buy paintings) seemed to get a whiff of the tumbrels of the French Revolution and it made them decidedly uncomfortable.  “His three gleaners have gigantic pretensions, they pose as the Three Fates of Poverty … their ugliness and their grossness unrelieved,” wrote one reviewer.

Short on money, Millet sold this painting at a sharp discount. A century and a half later, it is one of the most recognized and beloved paintings of all time.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

Back to the studio

There were visitors to the gallery all evening long. The show is up until April 11.

You can be the belle of the ball on Friday night, but you’re still a painting teacher on Saturday morning. It was a great opening with a fabulous turnout, and lots of insightful questions. There were crowds until 10 PM, at which time I stumbled home to bed, because Saturday mornings are always a rush.

Teressa's been drawing on and off with me for a few years, but she finally bit the bullet and did her first painting this weekend.

Painting classes, I’ve noticed, are split between two populations. There are the forty- and fifty-somethings who always wanted to paint but never had time, and young people from their mid-teens to mid-twenties. This makes for a nice mix of people in the studio, but it also tells us something about our times. Nobody in the prime working years has time. They’re running flat out. Between grasping the brass ring and raising children, everything else takes a back seat.

My own Mary, who's a talented artist but majoring in biomedical engineering, graced my studio with her presence. I am afraid I will have to ask her for some lessons in drawing with a tablet one of these days.

It’s kind of a pity that we’re so frenetically busy from our mid-twenties to our mid-forties. The time to be reflective shouldn’t be a luxury of the old and the young.

So it's back to business as usual, but I'll have the flowers to remind me of a wonderful evening. Thanks, guys!

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

The Information Marketing Primer For Helping and Healing Solo-Professionals - Part 5 - Free Audio

By this point in the series, I hope you recognize the importance of creating an Information Marketing business as an addition to your practice or as a means to generate income should you decide to cut back on your direct service hours.

Up to this point, we have covered: identifying your target audience for your information products, the importance of having an Internet presence and writing your first information product - your Free or Special Report. 

As I said in the last installment, you may have a definite preference in terms of writing or speaking, so I am going to offer a second alternative for delivering your free report content - in audio format as a teleclass. But, remember, it's important to offer your customers the options of audio and written formats as they do have strong preferences of how they prefer to consume their content. 

A teleclass is just what it sounds like...a class you offer over the telephone. You will need to have a free telephone bridge (conference) line to record this. To find one, type in "free telephone conference lines" and you will find many of these kinds of lines available. I regularly use Free Conference Pro and No-Cost Conference, but as I said, there are many good ones (that are free) to choose from.  

There are, of course, also paid conference line companies as well. Once you get into some serious information marketing and are recording teleseminars you will charge for, then you will probably want to get a paid conference line service as they do have live help available to assist you if something goes wrong. There is often a significant difference in the quality of the recording with the paid services. In this category, I have used Black & White Communications. 

Ask at least one friend to join you on this call (most conference lines need more than one participant to open the conference). This will also give you the added bonus of moral support. Once you register with the bridge (or conference) line company, they will give you your call-in conference number and a participant pass code; there is usually always a moderator code provided too which, of course, you will be using as the moderator. Your friend can use just the Participant code.  

The bridge line company will also give you a series of codes for recording, muting and unmuting, etc. Make sure to mute your friend when you are ready to begin...these lines pick up a lot of background noise. Make sure that your environment is quiet too as the sounds in your environment will be picked up on the recording. Do not forget to use the code for recording (you will also have to enter it when you wish to stop recording). You don't want to get to the end of speaking and realize you were never recording in the first place! (No matter how many times I have done this, I always keep the sheet with all the codes for the conference call right in front of me as I get ready to record - it's a good reminder).

Once you are finished recording, the bridge line company will provide you with a link to the recording of the call. Most of the time, you get those immediately after signing off of the call. Turn this recording over to your webmaster to upload for you. The link to this recording will go into the email that will be sent to your prospect once they have signed up for your free report and you have captured their name and email address. 

An important note...DO NOT just read your written report into a phone...it will come across just this way. The best way to do this call is to write out your opening and closing and use bullet point for everything in-between. Try to have only 3 to 5 main points. Sound natural and unless you are speaking of something very grave, try to put a smile into your voice. You have to emote and project more than you think. Don't worry, everyone sounds timid on their first try. You'll improve as time goes on. 

Once again, here is the formula for creating content, but this time it will be spoken. 

• State the problem or the source of pain for your targeted reader
• Add some real-life examples of this problem or pain - make it more real in their minds. 
• Explain why this is happening or what the causes are or what is the theory behind this problem 
• Explain why what your readers have been doing to date hasn't been working 
• Provide your solution without going into the "How"
• Then give them the next step 

You can make this teleclass an hour or less. If you go longer, remember that you can only fit 80 minutes of audio on a CD, so if you should you decide to make hard copies of the teleclass, aim for an hour and fifteen minutes maximum. (I'll get into that in more detail when we get to the installment on Teleseminars)

All about me, all the time

The Davison Gallery is lovely and contemporary, and conducive to spare design. Sue moved the show graphic to the floor, which allows the paintings room to breathe. It looks fantastic.

Tonight is the opening of my show, God + Man at the Davison Gallery at Roberts Wesleyan. As you know, I’ve been painting like a dervish to get ready for it, and it was awfully satisfying to watch it come together under the highly-skilled hands of gallery director Sue Bailey Leo.

Sue and her assistant Allysa installing the floor graphic.

This is the second show of my work that Sue has managed, and I’m humbled by how good she makes me look.

A woman and a hammer... invincible! Here Sandy Quang learns how to use a plumb line to level paintings.

I frequently tell people that “it’s all about me.” This weekend, it actually is. I have three solo shows up across the Rochester metro area. When does that ever happen?

Mary Brzustowicz offered to help me move canvases. Little did she know she'd be pressed into service popping air bubbles.

You are welcome to tonight’s opening, from 6-10. Ignore your mapping software; it will take you to the center of the campus. Instead, take US 490 to Buffalo Road west. Pass Westside Drive and the athletic fields at Roberts Wesleyan. You will see the Howard Stowe Roberts Cultural Life Center on your right; there is ample free parking, including parking lots on the west and northeast sides of the building.

Sandy temporarily interned as a lighting assistant, and did a great job of it, too.

The gallery is also open Monday-Friday, 11-5, and Saturday, 1-4. The show is up until April 11.

If you’d like to see my secular landscapes, this is the last weekend they are up at VB Brewery at 6606 State Road 96 in Victor. (Yesterday I stopped there with my friend Mary, who pointed out that the brewing smelled like warm feed for horses. It was delectable.)

Be there, or be square.

And my Stations of the Cross are up at St. Thomas’ Episcopal Church at 2000 Highland Avenue. Since they’re part of the Lenten worship experience, you’ll need to call the church at 585-442-3544 to make an appointment.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

Gone but not forgotten

Beauty Instead of Ashes, 48X36, oil on linen, 2014, by Carol L. Douglas

Last summer my friend Loren and I went for a hike along the Goose River in Rockport, ME, and discovered vast piles of lime tailings. Rockport is one of America’s beauty spots, but it was once a center of quicklime manufacture. Nature slowly attempts to cover this wound, but it is a slow process.

Midcoast Maine is full of limestone deposits. When limestone is burned, the carbon dioxide burns off and quicklime is left. This is used to make plaster, paper, mortar, concrete, fertilizer, leather, glue, paint, and glass. By the Civil War, midcoast Maine was producing more than a million casks of lime a year.

Eventually God will cover our sins, but it takes a long, long time. Sin can endure through generations, but ultimately, the spirit of the Lord will be with us, “to appoint unto them that mourn in Zion, to give unto them beauty for ashes, the oil of joy for mourning, the garment of praise for the spirit of heaviness, that they might be called trees of righteousness, the planting of the Lord, that He might be glorified.” (Isaiah 61:3-4)

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

Limping toward the finish line

The Harvest is Plenty, 36X48, oil on linen, 2014, by Carol L. Douglas

Today I put the finishing touches on the above painting and tipped it into its frame.

Jesus sent out disciples two by two, telling them, “The harvest truly is great, but the laborers are few; therefore pray the Lord of the harvest to send out laborers into His harvest.” Those of us who spend time in the agricultural world understand this metaphor: we sow seeds, we tend plants, and when the harvest comes in, it’s a lot of work and we’re generally short-handed.

But what if the order of things is interrupted? What if a line squall off Lake Ontario flattens the entire field right before the combine arrives?

When wheat ripens, it has heavy, nodding heads on delicate stems. As summer deepens the wheat assumes a color that has no equal in the artificial world—it has a shimmering beauty that’s impossible to capture in paint or photographs—much, in fact, like human souls. Looking at the field from the angle of the threatening storm, we should stand convicted of our need to get busy.

Ack! I have to teach in this space on Saturday!

Speaking of “tip,” my studio is quickly becoming one. I’m generally pretty neat but framing and painting in the same space is difficult. (I have a wood shop in our garage but it isn’t heated and it’s still painfully cold outside.)

I’m running three fans in the hope that these paintings will be dry enough to transport on Thursday, which is my promised delivery date.

Last painting, detail. I'll finish it tomorrow and tip it in its frame and then deliver on Thursday. Talk about cutting it fine.

I’m finishing my last canvas—hardly where I expected to be when I started this in November, before unexpected surgery and recovery trashed my schedule. On the other hand, the one passage I’ve finished makes me pretty darn happy.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

Dead Wood

Dead Wood, 48X36, oil on linen, 2014, by Carol L. Douglas

 It’s very unusual for paintings to just flow off the brush without a lot of second-guessing, but I have experienced it a lot getting ready for this show. This painting is a case in point: it’s complicated, I don’t have any particular reference, and yet it was no big deal to get all the pieces in place. Weird, that.

Branches that fall into streams tend to collect other sticks into logjams. This debris can alter the flow of the river itself. There is great force holding such river jams in place; in fact, breaking a logjam is something best left to experts, as it can be very dangerous.

Sin drops into the current of our life, and gets caught up on other sins. By the time we are adults, we have a logjam of sins pushing one against another, altering the very flow of our lives, defining what we understand to be our character or personality. “She’s temperamental.”  “He is afraid of his own shadow.” These are not true marks of character, but the distortion caused by this logjam of sin.

How do we identify the key log to break the logjam? We don’t; we need help from the Holy Spirit.

(My thanks to Tony Martorana, senior pastor at Joy Community Church, who used this image in a sermon.)

Red-bellied Woodpecker outside my studio window.

I was using the bare branches outside my studio as reference for the distant trees, when I saw this little fellow knocking at my pear tree.  I suppose it’s a sign of spring that he’s out looking for insects, but it’s bad news if my pear tree is sick. It’s older than my house.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

Sometimes things don't go as planned

A whole pile of potential. Stock cut for seven frames.

I chose a thin, contemporary molding for my show at Roberts Wesleyan’s Davison Gallery, because it's a sleek, contemporary space. I had a feeling this frame stock might be somewhat slender for such large pictures, so it was no big surprise when I released the clamp from the first frame I’d glued and the joints peeled apart in my hand. No matter how strong the glue, wood is heavy and a tiny contact surface can’t support a lot of weight. (Frame shops use V-nailers or underpinners to join miters, but they start at around $1200, so aren't appropriate for the casual framer. And in most cases, glue is sufficient.)

I prefer doing this job in my outdoor wood shop but it was 12° F. when I started. The glue would have frozen instead of setting. Next best place: my studio. The tools you need (in addition to a miter saw) are a drill, wood glue, strap clamps, a paintbrush to assure you've applied the glue evenly, and a mallet to tap the corners down so the two sides are flush with each other.

We’re a one-car family and my husband was off playing his bass. That might have been a real problem, but I was saved by technology. I visited a big box store’s website, identified the correct flat corner braces, found a store that had enough of them in stock, and bought them online. They texted my husband’s phone when the order was ready for pickup. He collected them on his way home. It was a matter of two hours to install the plates, and now I’m relatively certain that these frames could survive a minor earthquake.

You're not going to get that mending plate on there straight without carefully marking and drilling pilot holes. At this point, the joints have been glued and clamped; the mending plate is the icing on the cake.

Interestingly, the depth of the molding wasn't even from piece to piece, but as long as the mending plate was the same distance from the edge, I was happy.

I’ve posted about how to make frames before. If you can cut an accurate 45° angle (which is as much about having a good saw as it is about having woodworking skills) you can make decent frames in a home workshop. Affixing mending plates to a thin molding is a bit trickier, because they must be aligned perfectly so that they don’t show from the front and don’t impede installing the painting from the back. The only way I know how to do that is by careful marking and drilling pilot holes.

Two hours later, a whole heap of happiness. I can curse the never-ending winter or thank God I have a spare room in which these big frames can rest until they're needed. Which will be tomorrow morning, of course.

Despite the supports, I’ll affix the hangers to the stretchers, not the frames. No sense tempting fate.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

Content - The Lifeblood Of ALL Business Online! Part 1 (of 4)

What Is “Content?” - Two Different Online Business Models.

Generally, anyone who has a venture that is “doing business” online will operate in a manner that will fall into one of two categories

First option is that they will be involved in some kind of “virtual” business, in which all (or almost all) transactions, advertising and so on will take place online. As is often advertised as an asset of such a business, there will be no physical office or shop premises, no inventory to store or deliver and so on.

Indeed, and probably most confusingly, there sometimes appears to be a lack of “product” at all!

This is quite common where, for example, the “product” is some kind of online marketing system, which is marketed and sold online using, well, itself!

In other words, you are sold a marketing system by a marketing system (thus proving that it works!) and then you sell the very same system to someone else, and so on.

It’s a bit of a cliché, but nevertheless true, that things change online very quickly. If you or I have an idea, we can have it out there in the online marketplace tomorrow, if we choose to do so.

Thus, although it can seem odd to buy something as intangible as a marketing system, it can still be of great value, as it has the potential to bring the latest and newest ideas to your PC in an instant.

Informational products represent another example of almost totally intangible products that nevertheless sell well on the internet. Examples might be a “how to” website on, let’s say, crochet or whitewater rafting or website design or the best way of making a chocolate cake. All are totally intangible, but still in huge demand, which means that they are very profitable as well!

More information about the simplest method of creating such products for profit can be found at my site [http://www.hiddentrafficgenerator.com/short.html].

Still with it? Good!

Now, the other type of business will be a “real world” business that probably sells a real tangible product, something that you can touch, smell, see. It could be widgets, Jumbo jets, hairnets, submarines, whatever and the business in question has probably used the power of the net to expand the original localized marketing efforts to go world wide.

They still market “offline” locally and their online efforts are an adjunct to these efforts, not a replacement.

This very broad sweep would probably cover 95% of business that takes place on or through the internet every day.

Yet, even coming from two such widely separated poles, both models of business rely on content to be, or not to be, successful.

So, what exactly is content?

Content – A Definition (or two!)

As suggested by this title, there’s effectively two different ways that you could define “content”.

One way would be to try to establish exactly what it is, so let’s try that first.

Content is “stuff”! It’s the “stuff” that you see every day on the internet…

Now, clearly that’s not really a great deal of help.

It’s an indication rather than a definition.

Trouble is that, in these terms, it’s not at all easy to establish anything that is anywhere concise enough to be a definition, so let’s move on to definition method two, which is in fact a good deal more helpful.

This is, what does “content” do, and, as we shall see, the answer to this goes a long way to clearing up the ambiguity created by our “stuff” definition.

Content is whatever you have on your website that gives your visitor or customer the information that they are looking or when they come to our site.

So, it can be factual information, like a product description, a catalogue or pricing information for the Jumbo jet that you are selling.

It can be less factual and more of an opinion, such as a learned discourse of where mankind is going over the next 500 years.

It can be an article such as this one, part factual and part opinion.

Nor is “content” only written, and increasingly, online audio and video are becoming ever more prominent on the net.

To summarize, content is whatever information you have on your website about your business and products, in whatever form this information takes.

Content is what makes visitors come to your site, it is what drives “traffic” to your homepage. In turn, content and the driven traffic it creates is what makes your business money, it is the engine behind every single cent of profit that you earn online.

Which makes content kind of important, I am sure you will agree…..

Coming in part 2, where to find and how to create great content.

Surprise, it’s snowing!

Wharf Scene in Winter, c. 1910, Charles Salis Kaelin

We woke up to yet another grey, snow-covered day with a temperature of 12° F. and all-day snow on the forecast. It’s a good thing snow is beautiful, and ever so paintable. Here are three snow scenes from American masters.

Charles Salis Kaelin was one of the earliest American exponents of Divisionism (or Chromoluminarism). This is the style invented by Georges Suerat, where colors are separated into individual dots or patches which interact optically.

 Kaelin was a respected member of the art colony at Rockport, Massachusetts. 

Snow scene by Emile Albert Gruppé . He painted many variations on this theme—mountains, stream, snow.

Emile Albert Gruppé was born in Rochester, NY, but spent his formative years in the Netherlands. He was the son of painter Charles P. Gruppé. The family returned permanently to the United States in 1913 as the political situation in Europe deteriorated. Gruppé was one of the most famous of the Cape Ann painters, establishing himself in Gloucester, MA.

Winter Rocky Landscape, William Partridge Burpee. There's a hint of Spring in there.

William Partridge Burpee was born in Rockland, ME. He studied with marine painter William Bradford in the late 1870s and began painting in the luminist marine style of Fitz Hugh Lane. He began showing in Boston in the 1880s but did not take up pastel until after a Grand Tour to Europe in 1897, where he became more familiar with impressionism. In 1914, he returned to his birthplace, where he died in 1940.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

Ebook Creator - Build Your Information Marketing Business Fast

There's never been a better time to be a writer. There are unlimited opportunities for skilled writers online, and building an information marketing business by writing ebooks is a great opportunity.

Let's see how you can get your eBook empire started fast.

1. Get a Free Education at the Outsourcing Sites

Writing and selling your own ebooks can be intimidating. One of the easiest ways to get an education in how it all works, is on the outsourcing sites. By writing for others, you learn what makes a professionally created eBook and you get paid to learn.

If you don't already have an account at an outsourcing site, create one today and start bidding on eBook writing projects.

2. Sell Your Expertise, You're an Expert on Something

Once you've completed at least three eBook projects for other people, you're ready to create your own ebooks and sell them.

Ready? Start by choosing a topic on which people need information.

Perhaps you already have a topic that you know will be a success, if you don't have a topic, think about your own experiences and what you are an expert on. Everyone's an expert on something.

Once you've chosen a topic, write a project brief (a "brief" is just a description) exactly as you'd find on one of the outsourcing sites.

Your project brief is essential even if you're working for yourself. You will find your project will change as you work on it, and having the brief in front of you keeps you on track.

Give yourself a deadline. Without a deadline your project could go on forever.

3. Once You've Completed Your First Ebook, Work on Another

As soon as you've completed the first project, get started on another one. You won't know how successful your first project will be for a while, so get started on another project right away.

Preferably, the topic for your second eBook should be related to the first. This gives you a chance to sell your second eBook to those people who purchased the first one.

You're invited...

Join us for the Gallery Opening of

GOD+MAN

Paintings by Carol Douglas

At the Davison Gallery, located in the Cultural Life Center at Roberts Wesleyan College.

6-10 PM, Friday, March 28

2301 Westside Drive, Rochester, New York 14546

I spend much of my time painting en plein air. The physical environment shows the marks of our existence, our relationship with each other, and ultimately our relationship with God. This visible record is subtle, but once you start to notice it, you realize it’s everywhere.

In mid-October, I returned home after a summer teaching painting in Maine. I had two things to do: put the final touches on my daughter’s wedding and paint the work for this show. What wasn’t on my schedule was another cancer diagnosis.

I’m a systematic person, so I scheduled making canvases during the four-week recovery period between my lumpectomy and hysterectomy. Immediately before my surgery, I drenched the canvases with Naphthol Red, which is a rich crimson color that is an excellent undertone for landscape. I do this regularly for plein air, but the effect of all these looming large canvases dripping blood was disconcerting.

After my surgery, I continued to leak blood. In early February I hemorrhaged, which put my recovery back to square one. I realized there was a connection between my current experience and my current paintings, which were proceeding by starts and fits.

I have tried to let the canvas show through in each of these paintings, because they were literally born in blood. If I’d proceeded along my original course, they would have been polished and buffed to the point where no undertone was visible. But I couldn’t do that, and I don’t regret it.

Happy Spring!

Orchard with Blossoming Apricot Trees, 1888, Vincent van Gogh.

Today marks the vernal equinox, generally considered the first day of Spring. In the eastern United States, it’s been a dismal winter (which still hasn’t released us from its clutches). We long for Spring.

Blossoming Almond Branch in a Glass, 1888, Vincent van Gogh.

Vincent van Gogh painted a series of flowering almond trees in Arles and Saint-Rémy in 1888 and 1890. When he arrived in Arles in March 1888, the orchards were about to bloom. The blossoms ensnared him. In a month he produced fourteen paintings of blossoming peach, plum and apricot trees. “I am up to my ears in work for the trees are in blossom and I want to paint a Provençal orchard of astonishing gaiety,” he wrote.

Van Gogh’s Almond Tree in Bloom, 1888, resonates with me because it is a baby tree. So often we only see the picturesque in old trees.

The most well-known of his blossom paintings, of flowering branches against a blue field, has been reproduced on everything from ipod hardcases to duvet covers to switch plate covers.

It’s a pity this painting has been so misused, because he painted it in commemoration of the birth of his namesake nephew. “How glad I was when the news came... I should have greatly preferred him to call the boy after Father, of whom I have been thinking so much these days, instead of after me; but seeing it has now been done, I started right away to make a picture for him, to hang in their bedroom, big branches of white almond blossom against a blue sky,” he wrote.

Van Gogh was already studying flowering trees before he went to Arles. His Japonaiserie Flowering Plum Tree (1887, after Hiroshige) is a study in the Japanese woodcut style he admired so much.

I love orchards at any time of the year, but particularly in spring. This year I am feeling the same stirring to be out in an orchard when the apple trees blossom.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

Waves of Mercy and Grace

Waves of Mercy and Grace, by Carol L. Douglas. Those darn rocks are standing out like their own planet. Need a little refinement.

Yesterday was a perfect day—warm and bright. At noon, I took a break and walked with my posse. First time in weeks we’ve all walked together, because the weather has been atrocious.

The sky was a lovely cornflower blue. Of course even a perfectly clear sky isn’t uniformly blue. Today it was most intense over Jennifer’s house, edging to a softer blue to the south. The horizon softened to a pale tone. It was the perfect sky for my painting.

Three colors for the sky.

I generally mix three different colors for any object: light, medium and dark. A simple blue sky is no exception to that rule.

Detail from Waves of Mercy and Grace. Cute kids.

I set out intending to paint the Maine coast, but it turns out it’s a painting of Australia. The three little boys in this painting are my cousin’s kids, with whom I spent a magical day climbing on rocks. The sea is the color of the Indian Ocean, not the North Atlantic. Painting it gave me a mighty hankering to go back there.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

A great week to be from Buffalo

Joseph the Carpenter, by Georges de la Tour, c. 1645, is painted in the style called tenebrism, using exaggerated chiaroscuro with violent contrast, where darkness becomes a dominating feature. Despite that, it’s a sweet father-and-son image. Note the prefiguration of the cross in the auger.

Today is a wonderful convergence of two ethnic celebrations—St. Patrick’s Day (yesterday) and St. Joseph’s Day (tomorrow). In my home town of Buffalo, NY, both are big deals.

In the Spanish and Italian Old World, St. Joseph’s Day is also Father’s Day, a tradition that ties neatly with St. Joseph’s primary role as adoptive father of the Christ child.

Saint Joseph, Jusepe de Ribera, c. 1635, is also a tenebrist painting, but the effect is radically different from de la Tour.

The elements of an Italian-American St. Joseph’s Table vary depending on the family, but they are always meatless since the holiday falls during Lent. Where I’m from, Italians include lentil soup, pasta con sarde with mollica, olives, fennel, oranges, baccalà, vegetables (including cardoons), frittatas, and of course a gazillion cookies and breads. How did St. Patrick’s Day, with its corned beef and cabbage, soda bread and green beer, end up overwhelming the far greater gustatory appeal of St. Joseph’s Day?

Oh, well. St. Joseph dominates in the world of art. I don’t believe there’s a single great painting of St. Patrick out there. William Holman Hunt’s A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids will have to stand in.

A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids, by William Holman Hunt, 1850. As a pre-Raphaelite, he rejected chiaroscuro, but the end result doesn't look much like 15th century Italian painting.

A reminder: this is a great week to have your Vitamin D levels checked. They’re always at their lowest at the end of a long winter.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

Success Affiliate Marketing Business - 14 Reasons Why You Can Not Sell More Affiliate Products

Obviously, you will not earn affiliate commission if you can not sell the affiliate products. Regarding to my extensively experiences, there are some reasons why you can not sell more affiliate products and earn huge affiliate commission. You will discover top 14 reasons why your sales are gone in this article. You will learn practical problems for affiliate entrepreneurs why they are failed in the affiliate marketing business.

Now, I am going to give you top 14 reasons why you can not sell more affiliate products and earn huge affiliate commission in the home based affiliate marketing business. If you are wondering why you are failed and can not earn big affiliate commission in the online affiliate business, I like you to discover top reasons below.

1) Lack of the affiliate marketing business plan and business model. I have communicated with many affiliate entrepreneurs and I found that most of them don't have their own affiliate marketing business plan, marketing plan; even their business model. Personally, I strongly believe that planning is one of the most significant steps in your affiliate marketing business. You must have your own goals and plans. Without planning, you are wasting your time and money for undo and redo tasks to build, grow and run the affiliate business.

2) Lack of well and effective marketing research. The poor marketing research shows that you have no idea about your people in your markets and you have no knowledge enough to solve their problems. Also, you do not know what exactly needs in your market. All you have to do during the marketing research is to discover the exactly problem and solution what people are looking for in the market. There are many approaches to do the most effective marketing research on the internet right now. One of the best effective approaches is to participant in the active and well-known forums.

3) Promote only one affiliate product at a time. As you are the affiliate entrepreneurs, your major task is to drive the quality content of the affiliate products for people who need those products. It is not a great idea to promote only one affiliate product at a time for your market. However, promoting too much affiliate products is not a great idea either. There are no success rules for this. You have to test and track the results by yourself. My experiences show that the rule of thumb for a number of affiliate products, which you should promote, is between 3 and 10 at a time.

4) Advertising the wrong poor affiliate products. How to choose the high profitable affiliate products is the first critical step. You can choose those profitable affiliate products when you have a well and effective research in your markets and products. There are many approaches revealing you how to select the high profitable affiliate products. All you have to do is to avoid the scam programs on the internet.

5) Lack of the quality content. As we know that the quality content is the king. All you have to do is to provide high quality content for each affiliate products for your people in the market. The high quality content could be: your unbiased personal recommendation, hot news, great articles related to the product and up-to-date information for the product.

6) Lack of great relationship with merchants. Working with the merchants is an absolutely great idea for you to start promoting the affiliate products. You can request, build relationship with merchants or even negotiate the affiliate commission structure with your merchants.

7) Lack of quality opt-in list. The opt-in list is the most important asset for affiliate marketing entrepreneurs. Without the list, you are wasting your time and money for selling affiliate products. Think about this way! You drive visitors to merchants' website. If those visitors make a purchase, you will get an affiliate commission. If there are no any purchases, you will not get your commission. With this situation, it is a great idea for affiliate entrepreneurs to capture visitors' information in order to sell other affiliate products later. With capturing the visitors' information, your opportunities to earn more affiliate commission are opened and increased. You can sell other affiliate products later in the future.

8) Lack of strong back-end selling. The strong back-end selling is one of the most effective approaches for affiliate marketing entrepreneurs to sell more affiliate products to the existing buyers or subscribers. The key to success for back-end selling is to focus on both of existing buyers/subscribers and new potential customers.

9) Lack of well-known reputation in the market. The reputation is very important for your creditability and reliability. All you have to do are: advertising yourself all the time in the market and be aware of what affiliate products you are going to promote. With the scam affiliate products, it will hurt your reputation directly.

10) Lack of the consistency in the business and markets. I would love to say that the consistency in your business and markets is one of the most significant elements for your highly successful in long-term. You have to get to know your market, catch-up new technology and stay in your business in the long run. With this sense, you can become an outstanding among your competitors with new technology. Also, you can improve continuously your home based affiliate business all the time and stay on top in your business.

11) Rely on one affiliate internet marketing strategy. Obviously, you can not rely on one affiliate internet marketing strategy. My highest recommendation is to build multiple streams of incomes through multiple affiliate internet marketing strategies. Those strategies can be: article marketing, email promotion internet marketing, blog online marketing, search engine optimization, pay-per-click advertising and join venture partnership.

12) Do not know how to get things done effectively. This is one of the most critical issues for affiliate marketing entrepreneurs. There are a ton of tasks for those affiliate entrepreneurs to build highly profitable & successful in the affiliate marketing business. Those tasks require a lot of time and effort. Prioritizing and scheduling tasks are two basic approaches to help you to get things done!

13) Lack of self-improvement. There is no doubt that you are the best asset in your business. All you have to do is to improve yourself continuously all the time. I am sure that you are the only person who can determine your success and where you want to be in the future. Without self-improvement, it is very difficult to build your own highly profitable home based affiliate business.

14) Give up too quickly. Most new affiliate entrepreneurs expect to get rich with selling affiliate products overnight or short term. My experiences show that the affiliate business is not the get-rich-quick scheme. You have to be determination, motivate and patient for your success in the long future. All I can tell you is that the affiliate business is an extremely powerful business and it is a win-win situation between affiliate marketing entrepreneurs and merchants.

Final thoughts, I am sure that those 14 reasons will be helpful and useful for you to solve your current problems and build highly profitable success affiliate business in the long run. All you have to do is to take action seriously.

The world’s longest winter

Happy times in my Saturday class.

We’re really plein air painters in my studio, and by late March we are fidgeting and whining to go outdoors. This morning it’s 4° F. out there, however, which is how the whole winter has gone. We’re inside and we still must paint. So what do we do? Fish among common household objects, of course, to create still-lives that both challenge and entertain.

Brad painting gift bags.

Nina's second painting! Whoo hoo!

Nathan and Jingwae are prepping for college, so a reflective glass arrangement suited them. (Carol T. opted for that, too.) Brad and Sandy decided to paint luminescent gift bags. And Nina—just starting her second painting—did a still life of apples in a Chinese antique scoop.

Sandy painting gift bags.

 We’ll be having a student show opening June 1 at VB Brewery in Victor. Mother Nature may be keeping us indoors, but we still must paint.

Nathan painting reflective glassware.

Jingwae painting reflective glassware.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!

Secret superpower

The harvest is plentiful, but the laborers are few, by Carol L Douglas. Still in draft form, I'm afraid.

I generally feel about clouds the way Winslow Homer felt about rocks: they’re easy to paint. So I wasn’t expecting to be tripped up by this painting. But when I finished my first iteration, I realized it was too monochromatically grey.

I mixed three different greys and went at it with both hands. Most of us Lefties have a secret superpower—we’re more or less ambidextrous. I can write and paint with either hand, although my right one tires more quickly.

Added greys. I think it actually looked better here than when "finished."

I don’t usually paint two-handed, because I only have one brain. In certain situations, such as when laying down large masses or alternately painting and blending, it’s a useful skill.

Two-fisted painter.

Unfortunately, I fixed the chroma problem but seem to have lost the original organization. I’ll go back in with some darks when this has a chance to set up, but for now I am moving on to my next painting. I have to hang this show a week from tomorrow.

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!