"'Now there’s an IQ test,' said another prominent Hamptons media figure. 'I’d have to be insane to let you quote me.'"

From "Newsrooms Are in Revolt. The Bosses Are in Their Country Houses/Those who can afford it left the city, shining a spotlight on class divisions in the media" (NYT).

Were media leaders in the right place to cover the horror of the early days of the outbreak, when they weren’t being kept awake by sirens? And did they overplay the violent fringes of protests, when they’ve been overwhelmingly peaceful and the city’s broader mood has been a kind of revolutionary good cheer? Walking with a television executive past boutiques on Newtown Lane in East Hampton last week, I tried to convince him that his teenage children would be fine walking around their native Upper East Side unaccompanied. During the protests, the city could look terrifying on television, and reporters on the scene faced violence, mostly from police; but the mood away from the police billy clubs was not exactly the Reign of Terror. (Though stay tuned: When The New York Times forced out the opinion editor James Bennet over a controversial column a week ago, two employees reacted in Slack with a slackmoji of the word “guillotine,” prompting internal complaints, a Times reporter said. “We encourage constructive, honest dialogue among our colleagues but there are lines that can be crossed, and this was one of them,” Times spokeswoman Eileen Murphy said in response.)

"There is little or no liberal space in this revolutionary movement for genuine, respectful disagreement, regardless of one’s identity, or even open-minded exploration."

"In fact, there is an increasingly ferocious campaign to quell dissent, to chill debate, to purge those who ask questions, and to ruin people for their refusal to swallow this reductionist ideology whole. The orthodoxy goes further than suppressing contrary arguments and shaming any human being who makes them. It insists, in fact, that anything counter to this view is itself a form of violence against the oppressed. The reason some New York Times staffers defenestrated op-ed page editor James Bennet was that he was, they claimed, endangering the lives of black staffers by running a piece by Senator Tom Cotton, who called for federal troops to end looting, violence, and chaos, if the local authorities could not. This framing equated words on a page with a threat to physical life — the precise argument many students at elite colleges have been using to protect themselves from views that might upset them.... In this manic, Manichean world you’re not even given the space to say nothing. 'White Silence = Violence' is a slogan chanted and displayed in every one of these marches. It’s very reminiscent of totalitarian states where you have to compete to broadcast your fealty to the cause. In these past two weeks, if you didn’t put up on Instagram or Facebook some kind of slogan or symbol displaying your wokeness, you were instantly suspect. The cultishness of this can be seen in the way people are actually cutting off contact with their own families if they don’t awaken and see the truth and repeat its formulae.... If you argue that you believe that much of this ideology is postmodern gobbledygook, you are guilty of 'white fragility.' If you say you are not fragile, and merely disagree, this is proof you are fragile. It is the same circular argument that was once used to burn witches. And it has the same religious undertones...."

From "Is There Still Room for Debate?" by Andrew Sullivan (New York Magazine).

"Each passing day sees more scenes that recall something closer to cult religion than politics."

"White protesters in Floyd’s Houston hometown kneeling and praying to black residents for 'forgiveness… for years and years of racism' are one thing, but what are we to make of white police in Cary, North Carolina, kneeling and washing the feet of Black pastors? What about Nancy Pelosi and Chuck Schumer kneeling while dressed in 'African kente cloth scarves'? There is symbolism here that goes beyond frustration with police or even with racism: these are orgiastic, quasi-religious, and most of all, deeply weird scenes, and the press is too paralyzed to wonder at it. In a business where the first job requirement was once the willingness to ask tough questions, we’ve become afraid to ask obvious ones.... The media in the last four years has devolved into a succession of moral manias. We are told the Most Important Thing Ever is happening for days or weeks at a time, until subjects are abruptly dropped and forgotten, but the tone of warlike emergency remains: from James Comey’s firing, to the deification of Robert Mueller, to the Brett Kavanaugh nomination, to the democracy-imperiling threat to intelligence 'whistleblowers,' all those interminable months of Ukrainegate hearings (while Covid-19 advanced), to fury at the death wish of lockdown violators, to the sudden reversal on that same issue, etc. It’s been learned in these episodes we may freely misreport reality, so long as the political goal is righteous."

From "The American Press Is Destroying Itself/A flurry of newsroom revolts has transformed the American press" by Matt Taibbi (at his own website). Much more at the link.

"On 'Morning Joe,' they are talking about coronavirus all the time again."

I said, after listening to the show on the car radio in 2 4-minute stretches on the way out and back from the sunrise run.

"What does that tell you?" Meade asks.

"It says the ratings came in."

"Days after Bon Appétit's editor in chief, Adam Rapoport, wrote in a May 31 newsletter that 'food is inherently political'..."

"... he again denied a pay raise for the only Black woman on the magazine's staff. Ryan Walker-Hartshorn... whose annual base salary is $35,300... had not received a pay increase in her tenure as Rapoport's assistant. Aside from her editorial duties, she said, she had cleaned Rapoport's golf clubs, fetched his son's passport, and taught his wife how to use Google Calendar. So, once again, the Stanford graduate asked for more money. 'I thought this conversation might be different this time,' Walker-Hartshorn said in a recent interview. After all, Condé Nast, the parent company of Bon Appétit, had just donated $1 million to racial-justice organizations amid global protests over the May 25 killing of George Floyd in Minneapolis.... Instead, Walker-Hartshorn says, Rapoport told her, 'Well, maybe you should consider that this is not the right job for you.' 'I am the only Black woman on his staff,' Walker-Hartshorn said. 'He treats me like the help.'"

From "Bon Appétit's editor in chief just resigned — but staffers of color say there's a 'toxic' culture of microaggressions and exclusion that runs far deeper than one man" (Business Insider).

"Appreciate the article but the sanitizing and glossing over of the serious crimes including assaulting a pregnant woman with a gun does a disservice to reporting reality."

"He need not be perfect for all of us to mourn and demand change but by manipulating the life story we lose the ability to educate many who don’t see the problem as they focus on the spin versus the real story - his murder."

The second-highest-rated comment at "George Floyd, From ‘I Want to Touch the World’ to ‘I Can’t Breathe’/Mr. Floyd had big plans for life nearly 30 years ago. His death in police custody is powering a movement against police brutality and racial injustice" (NYT).

Also highly rated: "I am confused. I believe the autopsy report said he was high on fentanyl and methamphetamine. This seems relevant to the full picture yet is not mentioned in the meticulously researched article."

I've read the NYT for more than 50 years, and I don't believe I have another option for reading a real newspaper here in America. I've always been looking out for the propaganda. In fact, I was taught to that by my high school history teacher, whose class included required daily reading of the NYT. After the ousting of James Bennet a few days ago, you would think the NYT would feel extra pressure to show that it will pursue high journalistic principles and not skew things to please the people who are demanding propaganda. I can't say I'm surprised to see this sanitized portrait of George Floyd, but I want to go on record saying that this is bad.

And it's bad not only as bad journalism, but it's bad on the subject of police brutality. It doesn't matter that the man who died had big dreams of the future or professional-level athletic ability. The police shouldn't be executing anybody.

"Seeing the brutality of a white power structure toward its poor black citizens [on the streets of Ferguson], and at its rawest, helped shape the way a generation of reporters..."

"... most of them black, looked at their jobs when they returned to their newsrooms. And by 2014... Twitter...  offered a counterweight to their newsrooms, which over the years had sought to hire black reporters on the unspoken condition that they bite their tongues about racism. Now, as America is wrestling with the surging of a moment that began in August 2014, its biggest newsrooms are trying to find common ground between a tradition that aims to persuade the widest possible audience that its reporting is neutral and journalists who believe that fairness on issues from race to Donald Trump requires clear moral calls.... The fights at The Times are particularly intense because Mr. Sulzberger is now considering candidates to replace the executive editor, Dean Baquet, in 2022, the year he turns 66. Competing candidates represent different visions for the paper, and Mr. Bennet had embodied a particular kind of ecumenical establishment politics. But the Cotton debacle had clearly endangered Mr. Bennet’s future. When the highly regarded Sunday Business editor, Nick Summers, said in a Google Hangout meeting last Thursday that he wouldn’t work for Mr. Bennet, he drew agreement from colleagues in a chat window.... Mr. Sulzberger... told me... 'We’re not retreating from the principles of independence and objectivity. We don’t pretend to be objective about things like human rights and racism.'"

Writes Ben Smith in "Inside the Revolts Erupting in America’s Big Newsrooms/Staff members’ demands helped end the tenure of James Bennet as Opinion editor of The New York Times. And they are generating tension at The Washington Post. Part of the story starts in Ferguson, Mo." (NYT).

We’re not retreating from the principles of... objectivity. We don’t pretend to be objective....

How many protesters does it take to "pack" Washington D.C.?

According to The Washington Post, the city is "packed" when there are "more than 10,000."



That's the WaPo headline as displayed at Memeorandum. The headline is no longer written like that. Now, it is "'Defund The Police' painted on D.C. street as tensions among protesters flare."

Now, my question is: How bad did it get for WaPo to write "tensions... flare"?

More than 10,000 people poured into the nation’s capital on the ninth day of protests over police brutality.... The cause even led to flares of tension among Washington’s protesters, with some embracing a party atmosphere while others furiously spray-painted “Defund The Police” in giant yellow letters a block from the city’s “Black Lives Matter” display....

So there was some graffiti. What else? Turns out it was just a few protesters who were irked that others weren't acting angry:

Kenny Sway, a D.C. musician who had calmed thousands a few days before with his rendition of “Lean On Me,” pushed through the crowd, yelling at everyone he could see to stop dancing and start marching.

“This is not a festival!” he shouted into a microphone. “This is not a f---ing festival!”

The dancing demonstrators mostly ignored him, except for one woman who rolled her eyes and complained to a friend.

“Who made him God?” she asked. “You can’t police a protest.”

She took a puff of what appeared to be marijuana and again swung her hips to the music.

One street over, at the corner of H and Vermont streets, Zamzam Elzain stood on her tiptoes, lofted a sign reading “Silence is betrayal” and yelled desperately at the people meandering by with strollers and cigarettes and, it seemed, little conviction....

“If this is a protest, we get an F!” she yelled at passersby. “This is not supposed to be a block party!”

A man looked up, briefly, then returned to the bag of chips in his hand.

It sounds like the tension was about the lack of sufficient tension!

Other confrontations unfolded as night fell.

So... other than the confrontation about the crowd not being confrontational enough... okay...

There's really only one more "tension" vignette: A white protester guy tells a black Secret Service agent that he ought to quit his job. The agent retorted: "What does your white privilege taste like?"

UPDATE: WaPo changed the headline again. Now, it's "Protesters throng D.C., vowing to be heard after George Floyd’s death." It still hasn't captured what's in the article! There are fascinating vignettes in the article, which I've tried to highlight. I'd like to compliment whoever wrote them. I see the article was written by "Samantha Schmidt, Jessica Contrera, Rebecca Tan, Hannah Natanson and John Woodrow Cox." But I'm going to assume that what I'm enjoying there was written by John Woodrow Cox — not because he's the only man on that vast committee — "vast" is satire — but because when I mouse over the names, his is the one that gets "Enterprise reporter with a focus on narrative journalism." I don't know what "Enterprise reporter" means, but I think what I'm enjoying is "narrative journalism."

ADDED: Wikipedia says: "Enterprise journalism is reporting that is not generated by news or a press release, but rather generated by a reporter or news organization based on developed sources. Tied to 'shoe-leather' reporting and 'beat reporting,' enterprise journalism gets the journalist out of the office and away from the traditional news makers."

And: "Narrative journalism, also referred to as literary journalism, is defined as creative nonfiction that contains accurate, well-researched information.... Mainstream newspaper publications are still wary of supporting narrative journalism too much due to time and space constraints, and will often print the occasional narrative in a Sunday features or supplemental magazine." The names Truman Capote and Tom Wolfe come up.

AND: Here's a piece written by John Woodrow Cox solo — in WaPo 3 days ago — "‘I’m black before I’m anything else’: A police officer’s passionate exchange with protesters."

“My heart walks with you guys because I’ve been this,” Watts told them, pinching his skin, “since the day I came out of my mama. … I’m proud of each and every one of you guys.”

“Keep marching,” he continued. “Do it for me. Do it because right now I’m here and I can’t do what you’re doing. But understand, my heart is over here with you guys.”

"Folks delaying seeking care or, taking the most extreme case, somebody drinking bleach as a result of structural factors just underlines the fact that we have not protected the public from disinformation."

A sentence fragment from a doctor quoted in the NBC News article "'What are we doing this for?': Doctors are fed up with conspiracies ravaging ERs/'I left work and I felt so deflated,' one doctor said about an effort to counter misinformation he saw on Facebook. 'I let it get to me.'"

What did he mean by "structural factors" — in "drinking bleach as a result of structural factors"? NBC attempts to inject coherence into the doctor's statement:

The structural factors in this case include Facebook, YouTube and Twitter, which have struggled to contain the spread of misinformation, some of it coming from positions of authority.

I found this article frustrating, because it's written in this impressionistic style that begins in the middle of things with a fed-up doctor expressing his frustration as he encounters one guy on Facebook ("a man insisting to him that 'no one's dying' and that the coronavirus is 'fake news' drummed up by the news media").

Yes, bad info on Facebook and the blowhards who pass it on are a problem, but when I turn to mainstream media for the news, I want factual information, clearly stated. So if NBC wants to do an article about coronavirus conspiracy theories in social media, I expect it to be easy for me to look at the article and see what the conspiracy theories are and how prevalent they are in social media. Not just what one guy said that annoyed another guy!

Look at that headline. It says we're going to get you anxious and excited about people you're expected to care about who've got their emotions stirred up. Yes, that did get me emotional. The emotion was annoyance that the professional news media does not give me a straight factual story!

It's like they want to get in on the conspiracy theory action by puffing up theories about theories.

What photograph of Tara Reade do you choose?

Argument by choice of photograph...



ADDED:



Just kidding. But my Memeorandum screen grab doesn't include the photograph the NYT used for that Maureen Dowd column. Click through to that to see what the NYT got from its photographer. Looking at that photograph, I feel that Tara Reade — who is now 56 — was feeling she was getting a glamour shot, something that reflected how beautiful she was when she was 29 and — as she tells it — getting sexist attention from the powerful Senator.

People are desperate to concern themselves with something other than coronavirus and Joe Biden's sexuality.

I think that's why this story has legs — disgusting spindly legs — "‘Murder Hornets’ in the U.S.: The Rush to Stop the Asian Giant Hornet/Sightings of the Asian giant hornet have prompted fears that the vicious insect could establish itself in the United States and devastate bee populations."

That's in the New York Times, where I would expect a little more care not to randomly give off whiffs of xenophobia. Why are they insisting on calling it the "Asian giant hornet"? They already had "murder hornet" and "giant hornet." Why go big "Asian"?

Dr. Looney said it was immediately clear that the state faced a serious problem, but with only two insects in hand and winter coming on, it was nearly impossible to determine how much the hornet had already made itself at home.

Must I worry about 2 insects simply because Dr. Looney — if that really is his name — finds the seriousness "immediately clear"?

That said, I am looking for more exciting articles that are not coronavirus or sex and Joe Biden.

"My wife got [a print of a boy on a horse asking, 'What is the bravest thing you’ve ever said?' to which the horse replies, 'Help'] for my birthday, and of all the things that we have..."

"... it’s the thing that I cherish quite a bit. It’s the only thing I pass when I leave my bedroom every day when I’m home. And it’s a reminder that strength is not necessarily being physically strong, but it’s asking for help, to be vulnerable, to be the person that I’m not supposed to be, right? And that’s not necessarily a bad thing."

Item #2 on a list of 10 "essential" things in "David Chang Loves Beethoven’s Ninth (but Won’t Finish ‘Infinite Jest’)/The chef, author and television personality, whose second season of 'Ugly Delicious' just arrived on Netflix, also puts a baby monitor, the Bhagavad Gita and 'Gattaca' on his list of essentials" (NYT).

I've been thinking, in this time of forced seclusion, about what it means to help. You can't be helping in person — unless you have a special medical or other relevant in-person service to provide. And most of us can help by just withdrawing and staying out of (literal) touch in the way that might, in normal times, seem churlish or cold. But beyond the negative help of not becoming part of the problem — not spreading the disease or becoming a consumer of medical resources — you can help. You can help by preserving and sharing whatever good thoughts you have that will make it easier for other people to accept and even to prosper within their seclusion.

I'm trying to do that, and I'm also going to push back when I see people who are not helping. I'm not shunning negativity altogether, but I'm trying to use a light touch. You can assume that when I say something like "Is Fox News helping?" (in the comments thread to yesterday's post about Trish Regan), I mean serious criticism of them for stirring up ridiculous unhelpful resistance to the needed social distancing. Ousting Trish Regan for her really stupid, flat-footed nonsense is the least they could do, and I suspect they only did it because it wasn't helpful to them. But I'd say the only reason Regan could be as stupid as she was is that it wasn't that far out of line with the general environment at Fox.

And that's not to say that the other cable news networks are helping. They seem to be trying to keep hating Trump, using any material he gives them, and every day, there's always something. I want them to make common cause with him and help. It's more important than their ratings and it's more important than who wins the next election. It's time to help.

But back to David Chang and the horse that bravely said "Help." Chang likes the idea of strength in terms of vulnerability — of seeing yourself as the one who needs help. I'm pondering how that balances with what I've been thinking about help: We need to be thinking how can I help. It's not inconsistent. Wondering how you can help is different from going about intending to help. What makes you think you're a fountain of help? Your "help" may have negative value. Seeing yourself as the one who needs help is better than imagining yourself as a giver of help when you are not helping.

First, help yourself. That's the #1 form that your helping can take. Next, quit "helping" with help that is not helpful! Use your time of forced seclusion to contemplate what it means to help others. Do you need some help with that?